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Some of the most impressive steel structures in the world are bridges. They are built out in the open, in plain view to be admired. The steel is obvious and visible, not hidden behind walls of glass or concrete.

1. Chaotianmen Bridge
 The Chaotianmen Bridge in the city of Chonqing, China, is the bridge with world’s longest steel arch, with a span of 552 metres. It carries both road and rail traffic across the Yangtze River. The total bridge length of 1,741 metres is not the longest in the world, although it is one of the longest steel arch bridges.



Chaotianmen Yangtze River Bridge

2. Lupu Bridge
Stretching 3,900 metres, the Lupa Bridge is the longest bridge on this list, although it is not the longest steel arch bridge in the world. The 2003 structure fords the Huangpu River in Shanghai, China, and takes second place on this list, because of its 550 arch span.



Lupu Bridge

3. Bosideng Bridge
Our third-place bridge is located right in the heart of China’s interior, in the city of Luzhou in Sichuan province. It is the most recently completed bridge on this list, with an arch span of 530 metres and a total length of 841 metres.



Bosiding Bridge

4. New River Gorge Bridge
The largest steel arch span in the United States is the new River Gorge Bridge in Fayetteville, West Virginia, measuring 518 metres. Dating back to 1977, the full length of this bridge is 924 metres.




5. Bayonne Bridge
The oldest bridge on this list is also a US bridge, spanning the “Kill Van Kull” between Bayonne New Jersey and Staten Island in New York City. When it was completed in 1931, it was the longest steel arch span in the world. Today it is the fifth longest span, with 504 metres. The full length of the bridge is 1,761 metres, which also makes it one of the longest steel span bridges.


Bayonne Bridge

6. Sydney Harbour Bridge

Nicknamed “The Coathanger” for its arched design, Australian’s lone entry into this list spans Sydney’s harbour (Port Jackson) – hence the name. The world’s sixth longest steel arch span is 503 metres, and was completed in 1932. Yes, one year after the Bayonne Bridge (although work began five years earlier than in New Jersey) , and one metre shorter. The total length is 1,149 metres, and it carries both road vehicles and trains, connecting downtown Sidney with the north shore.


Sydney Harbour Bridge

7. Wushan Yangtze River Bridge
The seventh longest steel arch span is back in China, crossing the famous Yangtze River.. Completed in 2005, this is another bridge in Chongqing province, with a span of 460 meters and a total length of 612 metres – much smaller than the Chaotianmen Bridge and completed four years earlier, but still one of the world’s most impressive arch span bridges.



Wushan Yangtze River Bridge

8. Mingzhou Bridge
At 450 metres, this sleek, modern-looking span was completed in 2011. The entire length is an impressive 1,250 metres, in the Ningbo, a couple hours south of Shanghai. Some nice metal-bending went into this project.



Mingzhou Bridge

9. Zhijinghe River Bridge
Fording the Zhijinghe River in south-central China, with a span of 430 metres, our ninth place bridge was completed in 2009. It is the highest steel arch bridge in the world – 294 metres high. It carries the G50 Shanghai–Chongqing Expressway. Interestingly enough, the same highway is carried over the world’s highest bridge (the Sidu River Suspension Bridge) just 15 kilometres to the east.



Zhijinghe River Bridge

10. Xinguang Bridge
Rounding out our top ten, we visit Guangzhou (formerly known as Canton), where a span of 428 metres was completed in 2008. The Xinguang Expressway crosses the Pearl River on this bridge for 782 metres.



Xinguang Bridge
* All images courtesy of Wikipedia.

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Jaipur, October 2017: The Government of Rajasthan in collaboration with Saat Saath Arts is pleased to announce the launch of The Sculpture Park at Madhavendra Palace,  Nahargarh Fort, Jaipur on December 10, 2017.

The Sculpture Park at Madhavendra Palace, Nahargarh Fort, aims to turn the palace into an art gallery with sculptures by top Indian and international artists displayed both in and outdoors. The exhibition is curated by Peter Nagy, Director of Nature Morte Art Ltd., and is planned to be an annual fixture. For 2017, artworks by 17 Indian and 8 international artists have currently been selected to be exhibited at the Palace, including: Arman | Huma Bhabha | Astha Butail | James Brown | Stephen Cox | Anita Dube | Vibha Galhotra | Vikram Goyal | Subodh Gupta | Evan Holloway | Matthew Day Jackson | Hans Josephsohn | Jitish Kallat | Reena Kallat | Bharti Kher | Mrinalini Mukherjee | Manish Nai | Gyan Panchal | Prashant Pandey | Benitha Perciyal | Thukral & Tagra | LN Tallur | Ravinder Reddy | Asim Waqif | Arlene Shechet. All artworks for the exhibitions will be sensitively installed to ensure no damage or markings to any surface of the Palace.

This partnership is a first of its kind where the Government has collaborated with a range of corporate sponsors and private individuals to bring a contemporary edge to India’s heritage properties, with the purpose of boosting national and international cultural tourism and visitors to the site. Eminent individuals from leading corporations supporting the project include Shreyasi Goenka (Content Editor DNA & Co-Director, Saat Saath Arts), Nikhil Chaturvedi (Founder & Managing Director, Provogue) Pirojsha Godrej (Executive Chairman, Godrej Properties Ltd.), Shreevar Kheruka (CEO, Borosil Glass Works Ltd), Siddharth Jain (Owner and Director, INOX Group) Ashok Wadhwa (CEO, Ambit Pvt. Ltd.), Mayank Singhal (MD & CEO, PI Industries), and Ajay Kalsi (Founder and Chairman, Indus Gas). Specialists on board include, Grant Thornton as Accounting and Compliance Partner, Khaitan & Co. as Legal Partner, AMITY as Education Partner, IFFCO Tokio as Insurance Partner, Navsoft as Technology Partner, 100 Watts Design as Design Partner and Star Worldwide as Logistics Partner. Many renowned international galleries have also come forward to support this initiative by lending the artworks including  Hauser & Wirth, London, Salon 94, New York, Xavier Hufkens, Brussels, Sikkema Jenkins & Co., New York, Livingstone Gallery, The Hague.

“I believe ART in its many forms, embraces and connects people from across continents and am therefore delighted that the THE SCULPTURE PARK at Nahargarh fort, that stands above the city of JAIPUR looking out and beyond, will be the first permanent INTERNATIONAL ART SPACE in Rajasthan drawing people from far-flung parts of our State and the Indian sub-continent as well as from across the world, bringing them together to share and celebrate diverse international creative expressions.” - The Chief Minister of Rajasthan, Smt. Vasundhara Raje



“Our initiative aims to promote India's growing interest in contemporary art and culture whilst also embracing its important heritage. The Sculpture Park at Madhavendra Palace is a true amalgamation of the best of India's past and present, made possible through a unique collaboration between the public and private sector. Saat Saath's endeavour has always been to showcase India's prowess in contemporary art, and to that end, we are thrilled to be able to bring this initiative to the public.”
- Aparajita Jain, Founder & Director, Saat Saath Arts

Under the leadership of the Chief Minister of Rajasthan, the Hon'ble Vasundhara Raje, the state has always maintained a reputation as a destination for arts and culture. Rajasthan is especially rich in architecture and is home to some of the oldest and most famous forts and palaces. The state’s cultural tourism has had a great impact after adopting the contemporary culture and launching a series of cultural events like the renowned Jaipur Literature Festival and an international photography festival Jaipur Photo. In collaboration with eminent professionals from diverse fields, the state also supports various contemporary visual arts, photography and music. The Sculpture Park at Madhavendra Palace, Nahargarh Fort, is a great example of a public-private initiative and will encourage the Government to support contemporary art in India.

“For most of my career as a gallerist and curator, I have been trying to break away from the white-box exhibition space. With this project, I am able to indulge my passions for art, architecture and decor into a marvellous synthesis of the past and the present.” - Peter Nagy, Curator, The Sculpture Park at Madhavendra Palace, Nahargarh Fort


“Empowered by the Chief Minister of Rajasthan, Smt. Vasundhara Raje, there have been some major initiatives to bring the public-private model into play in the larger Arts Space in the state. Ranging across genres, from an International level music festival like Magnetic Fields in Alsisar, Sacred Music in Pushkar, to Jaipur Photo where photographic prints are exhibited in the public domain in the city of Jaipur; fashion shows bringing together international and national designers creating special collections with Rajasthan Khadi; expositions of the Best of Rajasthan Skills; The Sculpture Park at Madhavendra Palace, Nahargarh Fort, is the first of its kind and like the other interventions will become a 'must visit' destination for all, but most importantly, for the contemporary art world. Free for the public, in public spaces, Jaipur is becoming a virtual museum celebrating the arts, generating pride and energising all who engage with the city.” - Malvika Singh, Full-time member, Chief Minister's Advisory Council (CMAC), Government of Rajasthan
 
“The Sculpture Park at Madhavendra Palace, Nahargarh Fort, Jaipur will be the first of its kind where an Indian state has collaborated with a non-profit organisation to support contemporary art. We are thankful to the Government of Rajasthan for this alliance and are certain that it will set a great example on how imperative public-private partnerships are in the promotion of public art. I am honoured to be a part of this initiative and thankful to everyone who is involved.” - Shreyasi Goenka, Content Editor DNA & Co-Director Saat Saath Arts




For further information, high-res images and interview requests please contact Kelsang Dolma at Flint Asia E: kelsang.dolma@flint-pr.com T: +91 9870141924

King Tut’s Golden Mask	The Isenheim Altarpiece by Grünewald
The Sculptures of the Parthenon	El Greco’s Burial of Count Orgaz
The Scythian Gold Pectoral	Velázquez’s Las Meninas
Nicholas of Verdun’s Enameled Altar	Rembrandt’s Return of the Prodigal Son
Giotto’s Arena Chapel	Goya’s The Third of May, 1808
The Ghent Altarpiece by van Eyck	Renoir’s Luncheon of the Boating Party
Leonardo’s Mona Lisa	Picasso’s Les Demoiselles d’Avignon
Michelangelo’s David

Art Periods/ Movements	Characteristics	Chief Artists and Major Works	Historical Events
Stone Age (30,000 b.c.–2500 b.c.)	Cave painting, fertility goddesses, megalithic structures	Lascaux Cave Painting, Woman of Willendorf, Stonehenge	Ice Age ends (10,000 b.c.–8,000 b.c.); New Stone Age and first permanent settlements (8000 b.c.–2500 b.c.)
Mesopotamian (3500 b.c.–539 b.c.)	Warrior art and narration in stone relief	Standard of Ur, Gate of Ishtar, Stele of Hammurabi’s Code	Sumerians invent writing (3400 b.c.); Hammurabi writes his law code (1780 b.c.); Abraham founds monotheism
Egyptian (3100 b.c.–30 b.c.)	Art with an afterlife focus: pyramids and tomb painting	Imhotep, Step Pyramid, Great Pyramids, Bust of Nefertiti	Narmer unites Upper/Lower Egypt (3100 b.c.); Rameses II battles the Hittites (1274 b.c.); Cleopatra dies (30 b.c.)
Greek and Hellenistic (850 b.c.–31 b.c.)	Greek idealism: balance, perfect proportions; architectural orders(Doric, Ionic, Corinthian)	Parthenon, Myron, Phidias, Polykleitos, Praxiteles	Athens defeats Persia at Marathon (490 b.c.); Peloponnesian Wars (431 b.c.–404 b.c.); Alexander the Great’s conquests (336 b.c.–323 b.c.)
Roman (500 b.c.– a.d. 476)	Roman realism: practical and down to earth; the arch	Augustus of Primaporta, Colosseum, Trajan’s Column, Pantheon	Julius Caesar assassinated (44 b.c.); Augustus proclaimed Emperor (27 b.c.); Diocletian splits Empire (a.d. 292); Rome falls (a.d. 476)
Indian, Chinese, and Japanese(653 b.c.–a.d. 1900)	Serene, meditative art, and Arts of the Floating World	Gu Kaizhi, Li Cheng, Guo Xi, Hokusai, Hiroshige	Birth of Buddha (563 b.c.); Silk Road opens (1st century b.c.); Buddhism spreads to China (1st–2nd centuries a.d.) and Japan (5th century a.d.)
Byzantine and Islamic (a.d. 476–a.d.1453)	Heavenly Byzantine mosaics; Islamic architecture and amazing maze-like design	Hagia Sophia, Andrei Rublev, Mosque of Córdoba, the Alhambra	Justinian partly restores Western Roman Empire (a.d. 533–a.d. 562); Iconoclasm Controversy (a.d. 726–a.d. 843); Birth of Islam (a.d. 610) and Muslim Conquests (a.d. 632–a.d. 732)
Middle Ages (500–1400)	Celtic art, Carolingian Renaissance, Romanesque, Gothic	St. Sernin, Durham Cathedral, Notre Dame, Chartres, Cimabue, Duccio, Giotto	Viking Raids (793–1066); Battle of Hastings (1066); Crusades I–IV (1095–1204); Black Death (1347–1351); Hundred Years’ War (1337–1453)
Early and High Renaissance (1400–1550)	Rebirth of classical culture	Ghiberti’s Doors, Brunelleschi, Donatello, Botticelli, Leonardo, Michelangelo, Raphael	Gutenberg invents movable type (1447); Turks conquer Constantinople (1453); Columbus lands in New World (1492); Martin Luther starts Reformation (1517)
Venetian and Northern Renaissance (1430–1550)	The Renaissance spreads north- ward to France, the Low Countries, Poland, Germany, and England	Bellini, Giorgione, Titian, Dürer, Bruegel, Bosch, Jan van Eyck, Rogier van der Weyden	Council of Trent and Counter-Reformation (1545–1563); Copernicus proves the Earth revolves around the Sun (1543
Mannerism (1527–1580)	Art that breaks the rules; artifice over nature	Tintoretto, El Greco, Pontormo, Bronzino, Cellini	Magellan circumnavigates the globe (1520–1522)
Baroque (1600–1750)	Splendor and flourish for God; art as a weapon in the religious wars	Reubens, Rembrandt, Caravaggio, Palace of Versailles	Thirty Years’ War between Catholics and Protestants (1618–1648)
Neoclassical (1750–1850)	Art that recaptures Greco-Roman grace and grandeur	David, Ingres, Greuze, Canova	Enlightenment (18th century); Industrial Revolution (1760–1850)
Romanticism (1780–1850)	The triumph of imagination and individuality	Caspar Friedrich, Gericault, Delacroix, Turner, Benjamin West	American Revolution (1775–1783); French Revolution (1789–1799); Napoleon crowned emperor of France (1803)
Realism (1848–1900)	Celebrating working class and peasants; en plein air rustic painting	Corot, Courbet, Daumier, Millet	European democratic revolutions of 1848
Impressionism (1865–1885)	Capturing fleeting effects of natural light	Monet, Manet, Renoir, Pissarro, Cassatt, Morisot, Degas	Franco-Prussian War (1870–1871); Unification of Germany (1871)
Post-Impressionism (1885–1910)	A soft revolt against Impressionism	Van Gogh, Gauguin, Cézanne, Seurat	Belle Époque (late-19th-century Golden Age); Japan defeats Russia (1905)
Fauvism and Expressionism (1900–1935)	Harsh colors and flat surfaces (Fauvism); emotion distorting form	Matisse, Kirchner, Kandinsky, Marc	Boxer Rebellion in China (1900); World War (1914–1918)
Cubism, Futurism, Supremativism, Constructivism, De Stijl (1905–1920)	Pre– and Post–World War 1 art experiments: new forms to express modern life	Picasso, Braque, Leger, Boccioni, Severini, Malevich	Russian Revolution (1917); American women franchised (1920)
Dada and Surrealism(1917–1950)	Ridiculous art; painting dreams and exploring the unconscious	Duchamp, Dalí, Ernst, Magritte, de Chirico, Kahlo	Disillusionment after World War I; The Great Depression (1929–1938); World War II (1939–1945) and Nazi horrors; atomic bombs dropped on Japan (1945)
Abstract Expressionism (1940s–1950s) and Pop Art (1960s)	Post–World War II: pure abstraction and expression without form; popular art absorbs consumerism	Gorky, Pollock, de Kooning, Rothko, Warhol, Lichtenstein	Cold War and Vietnam War (U.S. enters 1965); U.S.S.R. suppresses Hungarian revolt (1956) Czechoslovakian revolt (1968)
Postmodernism and Deconstructivism (1970– )	Art without a center and reworking and mixing past styles	Gerhard Richter, Cindy Sherman, Anselm Kiefer, Frank Gehry, Zaha Hadid	Nuclear freeze movement; Cold War fizzles; Communism collapses in Eastern Europe and U.S.S.R. (1989–1991)