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16:01

Serendipity Arts Foundation present the 2nd Art Spectrum Awards

The Serendipity Arts Foundation present the 2nd
Art Spectrum Awards: South Asia (ASA:SA)

29 January 2019:  Serendipity Arts Foundation and MOJARTO in collaboration with NDTV presents the 2nd Art Spectrum Awards: South Asia (ASA:SA) on 2 February 2019.

The ASA:SA award aims to reward and encourage creative, transformational initiatives that are making tangible differences to the future of the arts in South Asia promoting growth and via a platform for the arts that supports and leads the interdisciplinary artistic movement in India.


The awards reflect the Serendipity Arts Foundation's commitment and continual support of arts development in India. Elaborating further Mr. Sunil Kant Munjal, Founder and Chairman, Serendipity Arts Foundation said, “The Serendipity Arts Foundation is committed to creating sustainability in the Arts and spread awareness of the rich cultural heritage of India by making art and culture and our outreach platforms as inclusive as possible. To realize this commitment the process of recognition plays a great role and adds impetus to the efforts of these brilliant and young artists across various disciples. The Arts Spectrum Awards: South Asia has been conceptualized to do just that and recognize work of progressive and unique artistic caliber. I wish the very best of luck to all the nominees of the different categories at the 2nd annual Art Spectrum Awards.”    


Honouring individuals for their unique aesthetic and artistic contributions to the cultural landscape, nominees and winners are selected by an eminent panel of artists, collectors, cultural policy makers, arts institutions, arts patrons and disciplinary specialists. The award aims to cultivate India’s artistic development and cultural evolution by highlighting the most significant and innovative projects over the previous year’s art calendar, with an emphasis on organisations and individuals that driving social and public engagement across disciplines.


Prominent thespian and esteemed jury member Mr. Feisal Alkazi said, We are in that point in history where regional boundaries are blurring with our ability to transcend the cultural barriers. South Asia in particular as a region has had a similar cultural mosaic with synchronized sensibilities and this should be unified for attaining long standing relationships and sustainable practices. ASA:SA in that sense plays the role of a quintessential unifier that is taking baby steps in weaving together the  cultural ethos of the region.”


With the objective of supporting and encouraging creative dialogue across disciplines, the awards include special categories for theatre and the culinary arts. ASA:SA aims to inspire emerging artists and practitioners, celebrating innovation, artistic integrity and contributions to education for meaningful and diverse social engagement.


This year’s award and nomination categories include:


GREAT COLLECTIONS

Celebrating unique collections in South Asia with a focus on collectors who have used their personal collections to educate and enrich the community, whilst also preserving a cultural heritage.
TRANSFORMATION
Visual Arts Under 45 Years of Age (Painting/Photography/Sculpture/Installation)

Awarded to an individual who has shown not only technical excellence and aesthetic prowess but also has used their oeuvre to make an impact socially and educationally in their particular field.


BREAKING NEW GROUND
(Arts Initiative)

Awarded to an artist/collective who has initiated public art projects that have had significant cultural and social impact through immersive urban integration.


CREATION
Crafts “Skills of hands and mind”

Awarded to the designer/house in the field of stone, wood, textiles and metal that has used traditional techniques combined with modern technology to rethink and redefine design and production processes.


CONNECTION
Performance (Theatre)

Awarded to an individual/collective using traditional practices and making a contemporary performance piece in an alternate space.

SENSATION
Culinary

Awarded to an individual/collective for creative simplicity, sensory complexity, and excellence in the discipline of gastronomy, as well as engaging with  ideas of sustainability with an emphasis on regional flavours.


The nominations panel this year included influencers and experts from across the creative disciplines including: Kiran Nadar, Preeti Ambani, Sidharth Shanghvi, V Sunil, Raj Salgaonkar, Kapil Chopra, Anurag Khanna, Lillete Dubey, Wendell Rodricks, Prasad Bidappa, Sohail Hashmi, Abhishek Majumdar, Shriram Aylur, Sunil Kant Munjal, Marut Sikka, Uzma Irfan, Jyotindra Jain, Jaya Jaitley, and Sneha Khanwalkar.

About Serendipity Arts Festival


The Foundation's primary initiative and largest project, Serendipity Arts Festival is a multi-disciplinary arts event held annually every December in Goa. Curated by a panel of eminent artists and institutional figures, the Festival is a long-term cultural project that hopes to instigate positive change across the arts in India on a large scale. Spanning the visual, performing and culinary arts, the Festival’s programming includes music, dance, visual arts, craft, photography, film and theatre. The Festival addresses pressing social issues such as arts education and pedagogy, cultural patronage, interdisciplinary discourse, and accessibility to the arts. Serendipity Arts Festival’s intensive programme of exhibitions and performances is energised by spaces for social and educational engagement. 

serendipity arts festival


15:39

B.Des Entrance Coaching - Srishti, Symbiosis, MIT Pune, NMIMS Mumbai etc

The Fast Track Crash Course & Regular Coaching Options for April-May 2019  Exams and January 2020 B.Des exams of UCEED, NID & NIFT:


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13:22

NID DAT Exam Analysis 2019


NID DAT Exam Analysis 2019 
Parts 
Pattern
Question numbers 
Marks per question 
Total marks allotted
Part I 
Objective type  questions 
1 to 22 
·         Questions( 1 to 14) - 1 mark
·         Questions (15 to 22) - 2 marks
30 marks
Part II
Subjective type questions
23 to 26 
·         Question (23) - 15 marks
·         Question (24) - 20 marks 
·         Question (25)- 15 marks 
·         Question (26) - 20 marks, which was subdivided into three parts. 
70 marks

NID DAT 2019 Exam Analysis 

Objective Part ( GK, maths, English, Visual / aptitude)- According to NID DAT 2019 analysis, the objective part which was multiple choice questions consists of 22 questions and the total marks allotted for the same was 30. The questions this time were based on general knowledge, textile and reasoning, which was of an easier level. 

Drawing Part - The subjective part, which was drawing section wherein students were given blank spaces where they had to make their drawings.
The drawing section was based on perspective questions and the types of questions asked were as follows:


Question No.
NID Entrance Exam Questions 2019 for BDes Admissions
1
A picture of a room was given and there was a window in the room and you are on a ladder and looking into the room. You had to draw what you see in the room.
2
A picture from a side view was given and students had to draw it from the front view. The picture had a dead old man, a dog barking towards the thief. Students had to draw this picture from the front view.
3
Design a circular stamp commemorating the 160th birth anniversary of Mahatma Gandhi. Colour your composition.
4
Draw a man or a woman sitting on a table and in front of them there is a spoon, a fork and a plate.
5
Draw to depict that all that is gold does not glitter in a realistic manner (real life situation) and write a five lines on it.
6
Draw a fork and a spoon that have been brought together at the handle.


NID DAT 2019 Exam Analysis - Questions asked in the Exam

As per NID DAT exam analysis, the NID DAT 2019 entrance exam was divided into two part - Part I and Part II. Part I and part II comprised objective and subjective types questions, respectively. Part I comprised 22 questions while part II consisted of 4 questions.

You can read below to know the types of questions asked in NID DAT 2019. 

Part -I (MCQs)
1. Transgender symbol
2. A picture of strokes was students had to distinguish which one was the correct one (Calligraphy pen, flat brush etc. 
3. A textile pattern was given which was to be identified
4. Cotton, coir, jute and wool - choose the odd one out
5. One of the options that is not a classical dance form 
6.  Name the instrument that Annapurna plays
7. Which animal is the design inspiration of Japanese Bullet Train
8. What was the navigation aid in ancient times
9. Names of Indian personality - one of them was not an artist
10. Highest sporting award in India
11. Determining Relationship based on circle patterns - Boys/Girls/Siblings/sister
12. Mother and child together are 70 kg, father and child together are 90 kg, mother and father are 120 kg, then was is the combined weight of the family
13. Graph-based question
14. Shape based question - rotate the vase and identifying the core of shape

MCQ - (15-22) were visual aptitude, picture and pattern-based questions and were awarded 2 marks. 

Part II- Subject/drawing questions
23. Draw the picture of the room from the point of view of a person climbing a ladder and looking through the window (15 marks)
24. Draw a real-life situation of "all that is gold does not glitter" with 5 lines of interpretation (20 marks)
25. Design a circular stamp on the occasion of Mahatma Gandhi's 150th birth anniversary (15 marks)
26. 
A) Visualise and draw a person sitting on a dining table with a plate, a stainless steel spoon and a fork in from of him (8 marks)
B) Visualise and draw an ant's point of view sitting on the tip of the handle of a spoon (6 marks)
C) Visualise and draw a spoon and fork tied together in a knot at the handles (6 marks)



NID DAT Prelims 2019: Subjective Questions asked for MDes Admissions
As per NID Entrance Exam student reaction 2019, some of the subjective questions asked in the exam are as mentioned in the table below:

   Question No.
NID Entrance Exam Questions 2019 for MDes Admissions
1
For Product Design: You are going for a trek. Design a product that fits a bottle, shoe, sandwich, book and phone. Draw this product and explain how it can be used.
2
For Interaction Design: In the future India will be voting on mobile phones. Identify three problems and illustrate solutions to these problems.
3
Five icons were given from “UN Sustainable Goals for 2018”.




21:35

Collection Of Poems For UCEED Reading Practice

At a Solemn Music
BY JOHN MILTON

Blest pair of Sirens, pledges of Heav'ns joy, 
Sphear-born harmonious Sisters, Voice, and Vers, 
Wed your divine sounds, and mixt power employ 
Dead things with inbreath'd sense able to pierce, 
And to our high-rais'd phantasie present,
That undisturbèd Song of pure content, 
Ay sung before the saphire-colour'd throne 
To him that sits theron 
With Saintly shout, and solemn Jubily, 
Where the bright Seraphim in burning row
Their loud up-lifted Angel trumpets blow, 
And the Cherubick host in thousand quires 
Touch their immortal Harps of golden wires, 
With those just Spirits that wear victorious Palms, 
Hymns devout and holy Psalms
Singing everlastingly; 
That we on Earth with undiscording voice 
May rightly answer that melodious noise; 
As once we did, till disproportion'd sin 
Jarr'd against natures chime, and with harsh din
Broke the fair musick that all creatures made 
To their great Lord, whose love their motion sway’d 
In perfect Diapason, whilst they stood 
In first obedience, and their state of good. 
O may we soon again renew that Song
And keep in tune with Heav'n, till God ere long 
To his celestial consort us unite, 

To live with him, and sing in endles morn of light.  


Song: Calm was the even, and clear was the sky
BY JOHN DRYDEN
from An Evening's Love

Calm was the even, and clear was the sky, 
      And the new budding flowers did spring, 
When all alone went Amyntas and I 
      To hear the sweet nightingale sing; 
I sate, and he laid him down by me; 
      But scarcely his breath he could draw; 
For when with a fear, he began to draw near, 
      He was dash'd with A ha ha ha ha! 

He blush'd to himself, and lay still for a while, 
      And his modesty curb'd his desire; 
But straight I convinc'd all his fear with a smile, 
      Which added new flames to his fire. 
O Silvia, said he, you are cruel, 
      To keep your poor lover in awe; 
Then once more he press'd with his hand to my breast, 
      But was dash'd with A ha ha ha ha! 

I knew 'twas his passion that caus'd all his fear; 
      And therefore I pitied his case: 
I whisper'd him softly, there's nobody near, 
      And laid my cheek close to his face: 
But as he grew bolder and bolder, 
      A shepherd came by us and saw; 
And just as our bliss we began with a kiss, 
      He laugh'd out with A ha ha ha ha!

The Spring
BY THOMAS CAREW

Now that the winter's gone, the earth hath lost 
Her snow-white robes, and now no more the frost 
Candies the grass, or casts an icy cream 
Upon the silver lake or crystal stream; 
But the warm sun thaws the benumbed earth, 
And makes it tender; gives a sacred birth 
To the dead swallow; wakes in hollow tree 
The drowsy cuckoo, and the humble-bee. 
Now do a choir of chirping minstrels bring 
In triumph to the world the youthful Spring. 
The valleys, hills, and woods in rich array 
Welcome the coming of the long'd-for May. 
Now all things smile, only my love doth lour; 
Nor hath the scalding noonday sun the power 
To melt that marble ice, which still doth hold 
Her heart congeal'd, and makes her pity cold. 
The ox, which lately did for shelter fly 
Into the stall, doth now securely lie 
In open fields; and love no more is made 
By the fireside, but in the cooler shade 
Amyntas now doth with his Chloris sleep 
Under a sycamore, and all things keep 
Time with the season; only she doth carry 
June in her eyes, in her heart January. 


More Than Enough

BY MARGE PIERCY

The first lily of June opens its red mouth. 
All over the sand road where we walk 
multiflora rose climbs trees cascading 
white or pink blossoms, simple, intense 
the scene drifting like colored mist. 

The arrowhead is spreading its creamy 
clumps of flower and the blackberries 
are blooming in the thickets. Season of 
joy for the bee. The green will never 
again be so green, so purely and lushly 

new, grass lifting its wheaty seedheads 
into the wind. Rich fresh wine 
of June, we stagger into you smeared 
with pollen, overcome as the turtle 
laying her eggs in roadside sand.

The Sun Rising 
BY JOHN DONNE

               Busy old fool, unruly sun,
               Why dost thou thus,
Through windows, and through curtains call on us?
Must to thy motions lovers' seasons run?
               Saucy pedantic wretch, go chide
               Late school boys and sour prentices,
         Go tell court huntsmen that the king will ride,
         Call country ants to harvest offices,
Love, all alike, no season knows nor clime,
Nor hours, days, months, which are the rags of time.

               Thy beams, so reverend and strong
               Why shouldst thou think?
I could eclipse and cloud them with a wink,
But that I would not lose her sight so long;
               If her eyes have not blinded thine,
               Look, and tomorrow late, tell me,
         Whether both th' Indias of spice and mine
         Be where thou leftst them, or lie here with me.
Ask for those kings whom thou saw'st yesterday,
And thou shalt hear, All here in one bed lay.

               She's all states, and all princes, I,
               Nothing else is.
Princes do but play us; compared to this,
All honor's mimic, all wealth alchemy.
               Thou, sun, art half as happy as we,
               In that the world's contracted thus.
         Thine age asks ease, and since thy duties be
         To warm the world, that's done in warming us.
Shine here to us, and thou art everywhere;
This bed thy center is, these walls, thy sphere.

UCEED COACHING CLASSES DELHI




23:35

Short Stories For NIFT Entrance Reading Practice

#NIFT Entrance Exam Quick Reading And Writing Practice

Reading short stories improves your English reading and writing skills. Reading stories is an effective way to learn new words and phrases. It also improves our reading and understanding speed of given passages in Creative Careers Entrance Examinations.

Speed Reading is very important for preparation of #NIFT Entrance Examination as a large chunk of the Exam questions are based on passages, comprehension, case studies etc which need a lot of quick reading practice. 

The creative ability part of NIFT Entrance Examination also asks the students to write very short 3 - 5 sentence stories. Reading short stories helps the student to have a variety of ideas and plots in the mind to write the stories in exam.

A good story encourages us to turn the next page and read more. We want to find out what happens next and what the main characters do and what they say to each other. We may feel excited, sad, afraid, angry or really happy. This is because the experience of reading or listening to a story is much more likely to make us 'feel' that we are part of the story, too. 





21:16

A Fashion Show With A Difference , Kadam Kadam Milaye Ja..


“Kadam Kadam Milaaye Ja” (KKMJ) (A noble initiative of Aaina by Aditi) … 
Let’s All Step Forward Together … 

The idea of KKMJ is to organise a series of first of its kind fashion shows to boost the morale of those sections of our society who are not financially or physically sound, by way of bringing them on the ramp to showcase their hidden talent to walk with a sense of confidence and dignity.

Our concept is that fashion is not meant for upper class or well-to-do section of the society only. It’s for all—and our mission is to change the thought of difference between the rich and the poor, able and disabled. To bring in harmony in their minds, it becomes our duty to encourage and train them to come up and keep stepping forward together. And this is the need of the hour.

KKMJ presents its maiden fashion show of the series, in association with Rhythm of Life powered by Selfie With Daughter, London School of Trends, Panache ENTERTAINMENT, DG Concept, and Creative Sciences, on 23rd December, 2018 (Sunday) at 3 PM at DLF PLACE, Saket, New Delhi.

Aaina by Aditi—an online startup fashion brand—being the event’s fashion partner also, has designed outfits for the children of the NGO performing in the event and also guided the mothers of these kids in making the outfits ready for the show.

Rhythm of Life—an NGO, which works with and for the children from underprivileged backgrounds with the aim of nurturing them into confident independent adults.

Selfie With Daughter is a Mobile App and a worldwide movement initiated by Shri Sunil Jaglan against female and sex selection.

London School of Trends which is one of the leading fashion institutes of Delhi, have kindly consented to spare their students, the budding designers, to volunteer for backstage preparations and providing their innovative ideas for this event. Thanks to these guys for being instrumental in making the costumes out of waste fabrics by beautifully bringing rags to ramp.

Panache Entertainment is a trusted name in the event management industry and is specialised in making the clients’ dreams, fantasies and desires into reality. The team of Panache behind the decor of the event, have added stars to the stage.

Creative Sciences is a trusted name in imparting quality education in the Architecture and Design Careers Field. Its students are volunteering for the backstage decor with enthusiasm. The talented creative writers will be covering the event for various blogs and other print media.

Other contributors to the cause are Kkrish Photography, Perfect Packers & Movers, DLF Place and Abhinandan Events.

Please do come and witness yourself as these children showcase their talent on the ramp wearing outfits designed by Aaina by Aditi. The extremely talented girls and boys of Rhythm of Life have bent upon to prove that they are no less than any top model out there.

Invitation for:
Event : Kids Fashion Show ( kids from poorer sections of our society)
Theme: Fashion using ‘katran’ that is, waste fabric from stitching clothes.
Date: 23rd December, Sunday
Time: 3pm to 4pm
Place: DLF , Saket ( Mall )
Organiser: KKMJ - Kadam kadam milaye jaa.. 
Please do come🙂

( Donations for the kids in form of gifts or cash are accepted )



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